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On some level, it is an interesting look at a slice of life on the margins but the combination of bad people and bad music make this an unpleasant ride. Apparently, there are skinhead Nazis that prey on these youth but we never see one and Spheeris really drops the ball not getting one to sit down and tell their story. The bands, with one exception noted above, are barely garage bands and the fans are begging for a dollar to buy a pint of MD 20/20. In conclusion: Punk is long dead by the time the documentary starts. Starting with why are they dressed in fashions that went out of style before they were born.
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She seems interested in the dirt about how they left home but leaves some obvious questions on the table. Spheeris does her interviews like the previous two films and once again most of her subjects are understandably about as deep as a puddle. They trash the place beyond recovery and the look of pain in the man’s eyes is haunting. About sixty of these street hooligans pile in there as if it was a scene from Aronofsky’s Mother!. He is in a wheelchair from an auto accident, doesn’t drink and lives in a humble one bedroom. There is a scene where they all crash at a poor black man’s apartment. In reality, many of them are pretty horrible people. One cannot watch her film and not think we need to cut welfare of yesterday and get these people a clue. Unfortunately for Rory, her film features the laziest bunch of yokels this side of Jerry Springer. Her film American Hollow would expose us to the real people behind the poverty and help bring in a new age of help for those folks dependent on handouts whom the American Dream had passed by. Being the youngest daughter of Robert F Kennedy this was a topic that was close to her heart. The Bad: In 1999 Rory Kennedy made a documentary about a family in Appalachia that had been beset by poverty for the last 100 years. As Todd in the Shadows would say they deserved better. The band even shows their not inconsiderable classical music chops. 2: The Metal Years, is devoted to Sunset Strip hair metal, the soundtrack presents a much more varied and accurate snapshot of the late-'80s. Naked Aggression led by lead singer Kirsten Patches seemed like America’s answer to Chumbawamba. The Decline Of Western Civilization, Part II: The Metal Years Review by Tom Forget While most of the screen time in Penelope Spheeris’ s 1988 documentary, The Decline of the Western Civilization, Pt. The Good: Like her previous two films Spheeris highlights some bands and one of them is actually pretty good. Here she finds the struggle of street kids and young adults in West Hollywood trying to make it day by day, fighting off attacks from skinheads and following the ever decreasing number of punk bands that remain in the scene.
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Here she finds the struggle of street kids and young adults in West Hollywood trying to make it day by day, fighting The Decline of Western Civilization Part III: In the third of the Decline films, director Penelope Spheeris revisits the punk scene she illuminated in her first Decline film. The Decline of Western Civilization Part III: In the third of the Decline films, director Penelope Spheeris revisits the punk scene she illuminated in her first Decline film.